Seven Spires released their new album, A Fortress Called Home, last July. The band, known for their symphonic metal sound blended with other musical styles such as melodic death metal and black metal, continues this trend with the new album, bringing together powerful vocals, expressive songwriting, and strong instrumentation to create a memorable listening experience. Here’s what I loved about A Fortress Called Home.

Adrienne Cowan, the band’s lead vocalist, plays a crucial role in shaping the album’s sound. Her voice is versatile, moving smoothly between soft, clean singing and intense, harsh vocals. This range helps convey the emotions in the songs, making them more impactful and personal. When a song requires a serene voice to capture the emotions and soothingly reflect them, she is there. And when it requires a growl that shatters the ground beneath for headbang-provoking harsh songs, she is also there.

The songwriting on A Fortress Called Home is creative and rich. Each song feels carefully crafted to connect with the listener, with lyrics and melodies that evoke strong feelings. Tracks like “Almosttown,” “Love’s Souvenir,” and “The Old Hurt of Being Left Behind” stand out for their depth. The album is free of any filler tracks or songs that feel repetitive, making each track worthy of being a single.

The instrumentation throughout the album is impressive. The guitar work is intricate, the drumming is dynamic, and the symphonic parts add a rich, full sound that complements the metal elements.

A Fortress Called Home is a strong addition to Seven Spires’ discography. It’s an album that symphonic metal fans will appreciate for its emotional depth, powerful vocals, and solid instrumentation. If you enjoy music that blends different metal styles with rich, emotional storytelling, this album is definitely worth a listen.

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