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Album Review | Tessia – “The Cataclysm”

by | Jun 4, 2026

General Information

Personnel:

Julie Berthelsen – vocals
Dennis Pedersen – rhythm guitars, vocals
Eirik Atlesson Paulsen – guitars
Matias Boge – bass
Sindre Haugen – drums

Release Date: May 22, 2026
Label: Independent

Setting the Scene

Norway’s Tessia wraps up an extensive, multi-year sci-fi and dark fantasy narrative with their latest 12-track release, The Cataclysm. Operating as a fully independent progressive and melodic death metal project, the band took complete control over the worldbuilding, lore, and visual assets to close out the overarching storyline they have been developing from the ground up.

First Impression

As the album started unfolding, I asked myself: why haven’t I heard about this band before? The immediate impact of aggressive riffs and sharp melodic movement establishes a high technical baseline right out of the gate. Driven by a powerful exchange of harsh growls and distinct clean vocals, the opening sequence instantly proves that this is a severely underrated project.

Similar Sounds

If you’re into any of these artists, this album should be on your radar.

MaYaNFleshgod ApocalypseAmorphis

Visual Vibes

The stark black and red artwork perfectly captures the album’s apocalyptic theme. Featuring a fractured landmass splitting beneath cosmic bodies, this visual of a world tearing itself open directly mirrors the aggressive energy of The Cataclysm.

Track on Repeat

“Futility of Fate (The Cascade)”

A track that hits hard with a sharp opening riff and heavy growls creating an aggressive, straightforward energy built entirely for a live crowd.

In-depth Notes

Musical Shape 🎸

The structural foundation of The Cataclysm relies on sharp dynamic contrast, driven by fast, relentless guitar work and continuous melodic movement. To keep the pacing engaging, the band consistently disrupts their own momentum with calculated drops in tempo. By suddenly shifting into quiet, atmospheric passages before snapping right back into heavy death metal arrangements, they build real tension. With the backing of orchestrations added at the right moment, blending smoothly into the heavier riffs, the album avoids a flat, single-speed assault in favor of constant, aggressive movement.

Vocal Performance 🎤

The vocal performance leans heavily on powerful, commanding growls that dominate a large portion of the album. When clean singing enters the mix, it isn’t used as a predictable formula; instead, Julie Berthelsen showcases a highly unique voice that provides a distinct melodic contrast, locking in naturally with the faster instrumentation. This approach ensures the aggressive songs hit with maximum impact while allowing the melodic moments to stand out clearly against the heavy riffs.

Production Quality 🎧

The mix delivers a sharp, balanced sound that keeps the death metal foundation heavy without burying the atmospheric layers. Every element cuts through clearly and arrives at the exact right timing, ensuring the massive riffs and dynamic vocals hit with full impact without muddying the track.

Themes and Concepts 💭

The album’s concept and setting are interesting, but they wouldn’t hit nearly as hard if the heavy instrumentation didn’t fully back them up. The music drives the narrative right alongside the lyrics. By building direct storytelling elements straight into the tracks, Tessia brings the whole concept to life and keeps the experience firmly grounded and lively.

Final Verdict

Driven by massive death metal riffs and a strong theme, Tessia delivers a perfectly executed, aggressive experience on The Cataclysm. One of the best albums in 2026!

Mood Meter

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Intensity

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Melancholy

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Darkness

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Emotional

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Serenity

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Energy

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Romance

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Joyfulness

Perfect For…

Naturesitting in nature, with your thoughts
Driving – but keep your eyes on the road
Working When a co-worker comes to your desk to show you photos of his kids, turn the VOLUME UP.
Working on Arts – inspirational melodies

Reuel Way

Being a feminist has been normalized as an irregularity through our patriarchal society, so I'd rather be called a "decent human" than a "feminist man". I breathe Metal and Rock and have a screwed-up sense of humour.

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