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Personnel:
Eira Shadowborne – vocals
The Warden – guitar, keyboards, backup vocals
The Oathbearer – lead guitar
The Keeper – bass
The Warbringer – drums
Producer: Kristoffer Göbel
Release Date: June 19, 2026
Label: Scarlet Records
Hailing from Sweden, Shadowborne marks their arrival with the release of their debut album, Heaven’s Falling. The record serves as a heavy, cinematic introduction to their brand of power metal.
From the very first track, Heaven’s Falling immediately pulls you into a heavy, dark fantasy epic. The record commands authority right out of the gate, establishing an atmosphere that is highly cinematic and incredibly engaging. It constantly shifts its momentum, effortlessly dragging you from anthemic, battle-ready choruses to intimate, folk-tinged melodies without ever losing its grip. Ultimately, the album delivers a deeply satisfying and cohesive musical journey that holds your attention from the opening chants to the final emotional notes.
If you’re into any of these artists, this album should be on your radar.
A masterfully crafted highlight, blending intimate, chant-worthy melodies with a spectacular guitar solo and spectacular vocals.
Instrumentally, Heaven’s Falling thrives on dynamic arrangements and exceptional guitar work. The album establishes its cinematic scope early with the wonderful orchestrations on “Winter Is Coming (Heims Adventit),” but it is the lead guitar work that repeatedly steals the show. Standout solos elevate tracks like “High And Low” and “Wolf And The Queen,” leading to a final display of guitar brilliance on “End Of The World.” Furthermore, the band avoids power metal monotony through clever instrument distribution and rhythmic shifts—whether driving the faster pace of “Custodians” or completely changing up the album’s established structure on “Stranger To Myself” to keep the listener engaged.
Eira Shadowborne delivers a highly versatile and commanding vocal performance that perfectly anchors the album. The delivery effortlessly shifts to match the record’s dynamic momentum through well-executed key changes, reaching impressive higher notes on “Wolf And The Queen” and pivoting to a grittier, Iron Maiden-esque edge on “Custodians.” Finally, the performance reaches a powerful emotional peak, closing out the story with soaring high vocals on the ballad-like finale, “End Of The World.”
The production on Heaven’s Falling expertly manages the album’s dynamic shifts. By balancing the varied instrument distribution and capturing the deliberate pauses and tempo changes, the production ensures the music remains engaging and non-monotonous throughout the entire journey.
Shadowborne executes their dark fantasy concept brilliantly by ensuring the music directly serves the narrative. Themes of sacrifice and survival are woven deeply into the arrangements, notably with the track “Hold The Door,” which contains a nod to Hodor, everyone’s favourite character on Game of Thrones. Ultimately, the cinematic lore feels emotionally genuine because it is driven by the dynamic musical atmosphere rather than standard songwriting clichés.
A massive, cinematic power metal triumph that flawlessly forges heavy riffs and dark fantasy into an unforgettable debut.
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Nature – sitting in nature, with your thoughts
Night Walks – good for deep thinking
Working – when a co-worker comes to your desk to show you photos of his kids, turn the VOLUME UP.
Working on Arts – inspirational melodies
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